This will probably be the final video we post of Tuesday’s attack on Lars Vilks. I Mitt Sverige has posted the definitive record of the entire incident, from when the “Allah ho gay bar” video started playing until the police finally started making people leave the lecture hall. As you watch this ten-minute video, pay close attention to what the Muslims shout at the police (subtitles in English).
WARNING: Raw language is used in these subtitles:
Sweden is rapidly approaching the endgame of the multicultural socialist state. The current regime cannot be maintained much longer, and the strain is starting to show. The inevitable animosity generated by the clash of civilizations has brought society to the verge of breakdown in immigrant-rich areas.
Consider the implications of some of the words shouted by Muslims in this video:
1. Sweden is our country, too!
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The man who keeps shouting this is exactly correct: his assertion echoes the central dogma of Multiculturalism, which has been drilled into him as well as the “persons of Swedish background” who formed the vast majority of the country’s inhabitants until a generation ago.
The country belongs to the people who happen to live there, not to a nation or culture, and most certainly not to the descendants of all those Swedes who toiled and sacrificed for centuries to build a civilized society out of a chilly wilderness.
The clincher here is that “we pay taxes, too.” This gives culture-enrichers veto power over what is permitted and not permitted in Modern Multicultural Sweden.
And the same rights are claimed by immigrants on social welfare, who don’t pay taxes but consume them. They’re here, you’re kaffir, get used to it.
2. If he had stopped the film, this couldn’t have happened.
In other words, if Mr. Vilks had moderated his actions to take into account the sentiments of Sweden’s Muslim community, nobody would have tried to kill him. From the enrichers’ standpoint, this makes perfect moral sense: the artist is required to alter his behavior to accord with norms that have nothing to do with Swedish tradition. Freedom of artistic expression is an atavistic cultural artifact that is not included in this particular postmodern schema.
According to the norms of Iraq, Afghanistan, Somalia, etc., the artist has the responsibility not to offend his audience with blasphemous “pornography”. If he neglects his responsibility, then his just punishment may include injury or death at the hands of those whom he has offended.
Immigrants in Sweden have learned that this is their right: their religion is to be respected at all times and by everyone. When an irresistible multicultural force meets an immovable free-speech object, guess which one has to yield? The culture-enrichers have long since learned that free speech is what almost always gives way. Lars Vilks was unable to finish his seminar, and the University of Uppsala is reluctant to reschedule it, due to “security issues”. Mr. Vilks is unlikely to find another venue unless he pays for it out of pocket, so the enrichers are right: their religion — and more importantly, their eagerness to resort to violence whenever they are insulted — trumps long-cherished Swedish freedoms.
3. If you don’t want trouble, take him [Lars Vilks] out of Uppsala.
This, in effect, claims a portion of Sweden for the Ummah. Infidels who refuse to follow sharia within the Islamic enclave must leave, or expect full punishment.
In other words, Multiculturalism has achieved the exact opposite of its purported aim. Multiple cultures don’t mix in harmony; they precipitate out and form antagonistic and immiscible statelets.
When one culture is more aggressive and fecund than another, it tends to prevail. This does not bode well for the future of Sweden.
4. Isn’t it illegal for you to draw your gun? Then we will report you, too!
This tells us that the culture-enrichers (a) know how to game the system, and (b) are aware that the higher-ups — the cowards who hold political authority — will betray their underlings when immigrants complain. The cop on the beat will be tossed to the wolves the moment Muslims are offended.
Yes, the Muslims know the system well. They have learned its rules, and they have figured out how to use its inherent systemic weaknesses against native Swedes.
They know that Swedes are not allowed to fight back, that guns in police holsters are only for show, and that the Swedish social and political system will tremble at the first hint of violent retaliation. They know that if they are brought up on charges, useful idiots in the Swedish legal system with rush to their aid, and that even if they are convicted, any punishment they receive will be so light as to be meaningless.
The Muslims are well aware that Swedish law enforcement is a Potemkin village. That’s why they are willing to stand at the front of the lecture hall and scream invective at Swedish cops.
Now consider the response made by a Swedish girl in the audience:
This is not freedom of speech, don’t you get that?
She’s absolutely right. This isn’t freedom of speech; it’s sharia.
Welcome to Modern Multicultural Sweden.
For previous posts on Lars Vilks and the Roundabout Dogs, see the Modoggie Archives.