The following brief TV news report from Austria is the only information I have about an anti-immigration action in Vienna, in which members of the Identitaire movement interrupted a play performed by refugees. It’s intriguing to consider a cast of “refugees” — How did the director choose the cast? Did he run background checks to determine whether a migrant was an actual refugee, and not an economic migrant? Or did anyone with a dark complexion and a foreign accent qualify?
Many thanks to Oz-Rita for the translation, and to Vlad Tepes for the subtitling:
Transcript:
00:00 | In the Audimax of Vienna the performance of the play | |
00:04 | “Die Schutzbefohlenen” (“The protégés”) by Elfriede Jelinek was interrupted by an incident. | |
00:08 | So far we do not have any documented material except via Twitter. | |
00:12 | We received photos that we can show you. The play was performed by refugees | |
00:16 | from Syria, Afghanistan and Iraq. While they were on the stage | |
00:20 | about thirty members of the right-wing movement | |
00:24 | “The Identitaires” stormed the stage, unfurled banners and splattered artificial | |
00:28 | blood around. Spectators in the packed auditorium | |
00:32 | pushed the identitaires out and alerted the police, who are now searching | |
00:36 | for the troublemakers. After a short interruption, the refugees decided | |
00:40 | to perform the piece to its completion. |
Well done Identitarians!
“It’s intriguing to consider a cast of “refugees” — How did the director choose the cast?”
Look for the Refugee Repertory Company, coming to your town! This rag-tag troupe of thespians, jugglers, tumblers, scammers and taqiyya artists from various countries of the All-Too Near East have been known to put on many a play by the great Shakespeare (whom academic scholar and expert Karen Armstrong has argued was really a Muslim whose Arabic name, “Sheikh Sbeir”, has been garbled by evil white Western Orientalists). Among the plays done by the RRC:
The Tragedy of Khalifa Ibn Beth
The Tragedy of Mohammlet, Saudi Prince of Denmark *
Othello, the Moor of New York City
Allah’s Well that Ends Well
The Merry Sex Slaves of Windsor
The Taming of the Wives Suspected of Rebellion
The Jew of Venice
Much Ado about Tawheed
A Midsummer Night’s Jihad
* for Mohammlet’s soliloquy (“To behead, or not to behead…”), see: http://hesperado.blogspot.com/2009/08/to-behead-or-not-to-beheadthat-is.html
I leave a more eloquent reply to others, such as
The singing refugee (English subtitles)
https://youtu.be/iEUlxVByJhs?list=PLz-laKe5E8hxVXoyl4792HkYQonvuJy8Y
We are refugees
https://youtu.be/nR7VhRq2yns
Enjoy